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extended ambient techno excursions.

official re issue of this timeless classic featuring a fantastic update from australias late nite tuff guy - tuff cut records.

strictly limited edition white vinyl
nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

180 gram vinyl. initial copies in hand-made screen printed sleeves. fresh, genre bending interpretations from barac (romania) and dbridge (uk). these two inspiring producers provide their modern touch to the contemporary dancefloor continuum: dbridge offers an up-to-date hybrid that straddles the line between techno and breakbeat, while baracs extended mix is a deep and hypnotic journey through space. dbridge represents a milestone when it comes to uk dance music. being part of the legendary drum and bass group bad company in the late 90s, running his extensive label exit records, and regularly releasing on boddikas nonplus, metalheadz, as well as r&s, he has gained an enviable reputation as a specialist with a modern take on techno and breakbeat variations.

repress !! following 2013s fantastical heat crime, tim further explores his unique take on house music with two original tracks which make stylistic nods to the past but lead us elatedly to a place of uncommon and personal vision. on the a side we have squiggles, a late night piece of tentacled whimsy. a joyful frolic in a fishy stream under the stars and in the japanese garden of your soul. like u want me 2 is a missive from yearning loins to a beloved recipient, whilst were both on earth in these fleshy suits.

shadeleaf no.9 sees city fly s jonna step up with a superb ep ! vocalist erik rico graces title track through the night , a serious piece of deep, disco influenced dopeness that follows the classic us house blueprint, but with that all important uk grit in the construction. a2 & 3 cater for the labels love of lo-slung sample house, with music for people really shining as a thumpin sound system jam who better to tackle the beautiful title track than ny born, detroit grown bad boy kai alce ! his recent sandman & riverside joint has been testing a few speaker stacks these last few weeks, so the label couldn t wait to hear his versions of through the night safe to say, he doesn t disappoint ! a disctinctive vocal rub that recalls classic ron trent, and a stripped down and deadly kzr dub - roots house at its finest ! another shadeleaf sureshot !

as mood ii swing, production duo lem springsteen and john ciafone became one of the most in-demand remixers in the late 90s. the duo s production career began modestly, however. after a failed attempt at r&b, the two turned to house music. early productions such as sylvano s * helpless* and wall of sound s *critical* were a step in the right direction, as were releases such as -i need a bitch- for cutting and -searchin - for groove on, but it was the duo s remixes of ultra naté s * free* for strictly rhythm that struck gold. the song became a huge hit and soon mood ii swing was remixing big-name producers like bt (-remember-) and king britt (* the reason*) as well as the next ultra naté single, * found a cure*, which also became a huge hit record around the world. then, as a testament to the duos success, the new york-based nervous have dug up the remixes mood ii swing did for the label during their seminal mid 90s period re mastered and re released on wax for 2016.

under his chemotex alias, marcos cabral has been one of the trilogy tapes most productive artists in recent times. this is his third 12&#8243,,, for will bankhead’s imprint in less than 12 months. unlike cabral’s recent album for l.i.e.s, which reveled in its’ own distorted, balls-out intensity, thulsa strives to get a balance between becalmed techno hypnotism, skuzzy grooves and gently melodious intent. this blend is perhaps most satisfyingly mixed on the industrial-tinged clank of “delta city-, though the woozier, scuffled late night warmth of “music for security” pushes it close. twice he heads towards deeper territory, first on the title track’s trance-inducing synthesizer loop groove, and secondly on the dubby, locked-in tech-house majesty of “lorentz-.

for more than ten years dimi ange lis and jeroen search have been working together to demonstrate just how they think serious techno should be executed. their respective careers as individual artists are equally accomplished, but as a pair they have shown a fierce dedication to just the kind of aesthetic principles that define chronicle as a label, and so it gives us great pleasure to present an expansive ep of six tracks that tunnel deep into the bowels of late night, uncompromising techno.

the very first vinyl release from one of australia s leading underground lights, motorik. after throwing acclaimed warehouse parties across the nation, and a burgeoning selection of digital eps from local crew the finger prince, csmnt61, wordlife, jensen interceptor and made in paris, their debut vinyl release is a double a-side featuring the finger prince (made up of dreems and ex-infusion/freeland francis xavier) with their epic -don t talk to me-, a late-night exploration of trans-dimensional dance, plus a skittering, percussive remix from none other than vakula. on the flip is melbourne s mike callander (of haul music infamy) with physics, built around a wonky bassline for more dancefloor exploration. comeme mainstay christian s gets wild on the remix. a gorgeous package with art by babekuhl, delivered 2u on 180g vinyl for maximum bass. this is exclusive to vinyl and will not be released digitally for at least 12 months.

cat.nr. 2400 comes as a four-tracker with grooves from crooks + lovers, grizzly, savvas from greece and so late. the new-not-so-newcomer crooks + lovers second track for o*rs. * yaiza* tickles you with soft vocals and a higher bassline. if you like you can call it a * happy dubtechno* track. grizzly, well known for his psychedelic slow-jams lives up to his name. * juli im august* is build around one simple beat heightens the chords and expands the room. the a-side with savvas and so late leads a warm course. savvas’ „other side“ is made for the early slot to build up the perfect night. but do you know the time during a club night when you danced for two hours and you have to decide to stay or go? mutiny by so late is your decision to stay. limited to 300 hand numbered pink vinyl copies!

theres a reason kai alces name consistently comes up when the topic is exceptional house music. the ndatl label boss remix of the dangerfeel newbies * what am i here for* takes the soulful number to heights beyond the originals already heady groove. j piccola sings with a perspective thats like bopping through the city, skyscrapers above giving dimension to the groundwork so necessary for love and progression. his vocals match the pace of propelling keyboards by chris irvin and delvynw. saxophone by quinn mason adds an element that in alces distinctive hands becomes a part of all things classic house: deep, melodic, and ultimately, free. thats particularly true of the kzr’s late night mix. it harkens the wee hours with a shuffle, leading keys and pinpoint bass. the piano instrumental puts keys front and center, with a few jazzy chords that recall the hippest, dopest brunch you’ve ever attended. the entire project is very much atlanta-grown, representing its strong, interconnected music and art scene. all the key contributors are based in the city, from alce and the dangerfeel newbies, to acclaimed visual artist radcliffe bailey, who created the album art, and tastemaking graphic artist steve deniro, who designed the album layout. after small promo run in japan the gem gets a full worldwide release with alternate mixes and kai alcés bonus distinctive remix of * swingin with the new jack* previously unavailable

gerry rooney (black cock) and joel martin (quiet village) return with two strong cuts on new label love shot records! opener -el dorado- is a curious affair, taking loops from a long-forgotten, disco-era spanish dance record and turning it into a rolling, late night chugger. arguably even better is -limitless & free-, which cuts up and rearranges a suitably obscure chunk of stoner funk-rock. wisely, they emphasize the low-slung groove, rising strings and swirling synthesizers, occasionally utilizing select sections of the original s sleazy, come-to-bed vocal.

joel martin and gerry rooney first surfaced as velvet season & the hearts of gold back in 2012 with the first of three salacious 12-s for lucky hole records that really got the refined disco lovers hot under the collar. following a smattering of remix commissions and a wonderful debut for resista, velvet season & the hearts of gold rear back into view with witch doctor love, a two track 12- of late night voodoo dancefloor material issued by love circle. the title track is a chunk of tough and moody house music, all sleazy whispered vocals and trippy electronics, the results are nothing less than intoxicating. complementing this, -fish powder dance- sees the pair s disco influences come to the fore on a superb fusion of classic strings, vocal harmonies, and joyous basslines over a bumping early 90s house groove

the state of the world e.p. brings you 4 new tracks by philippe petit. appearing develops a positive tone through layers of heavy bass and a deep 808 kick that finally blooms into a warm synth line. expanding exults happiness thanks to its multiple layered bleepiness, aiming to put the listener in a state of trance. shrinking is a hard hitting percussive affair, whose relentless beats, driving hi-hats patterns and claps take you into what can be seen as a neverending downward spiral. disappearing rings the alarm with a 132 bpm fury of pads and subtle acid, but it might already be too late... support from rodhad, len faki, johannes volk, boris, samuli kemppi, i/y and many more..

repress !! everything started back in early 2014 when i came across the first tracks of junktion on outplay, remembers dairmount with a smile on the face. heavy on the bacon & coconuts are already supported & played by dam swindle, session victim, medlar, axel boman, jimpster, wolf music, lay far, kito jempere, art of tones, crazy p, late nite tuff guy, henry wu, max graef, roberto rodriguez & more

what sam kdc has achieved here is nothing short of genius. this is a very filmic visual lp and will take you away to another world. this also shows that sam’s production skills are very thoughtful and mindful of the potential listeners that should flock on mass to this chilled out and wonderfully crafted lp. if you like the deeper side of music and all things ambient, then this is a no brainer, it’s from the top drawer of the quality cupboard. if you just want something mellow as an alternative then this is the one for you.
pressing on translucent 12 inch vinyl.

vernon felicity is also known as conforce and boris bunnik, the tireless dutch producer who marries analog and digital sounds together into otherworldy sound tracks. now he is back on mos once more after a new conforce album on delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.

from deep within the shadows, grant steps out with his debut album *the acrobat* on enigmatic label the lauren bacall. lush atmospherics lift up each of the high-flying tracks on *the acrobat*, crafting a sense of euphoria and ease that is reminiscent of such deep house from late 90s early 2000 inspired by labels such as early plastic city, deep4life, and svek.

youth stand up! is a collaborative recording project between glasgows green door studio, lebeha drumming center in hopkins, belize, and the tafi cultural institute based in tafi atome, ghana. the results of the collaboration are this nine track album released on autonomous africa. all proceeds from the youth stand up! album sales will be split between tuteme band, belize and tafi cultural institute’s fund to build their recording studio and cultural centre. there will be two 12inches released in late 2015 / early 2016 featuring remixes of tracks from the album by jd twitch, midland, auntie flo and hodge. the 12inches will eau also include an additional bonus track recorded at the original sessions.

we dig deep into trax s vaults to unearth some unreleased super rare versions of some trax classics. vol. 1 contains two ron hardy reel to reel edit s of jamie principle & frankie knuckles classics -bad boy- and -baby wants to ride-. very different to the final released versions these are personal edits ron made to play at the music box, chicago in the mid-late 80 s. released in conjunction with trax 2015.

established producer d marc cantu has been crafting his own style of jakbeat since the late 90s, but comes to nyh with some dark and experimental techno and drones.

"you wake from sleep, the door closes by itself and the walls run with slime and rain. a shadow moves, almost familiar, welcoming and simultaniously intimidating. the candle flickers and snuffs out. a noise. your torch is dying. something takes your hand. long fingernails and old skin. you mark the floor, chant the incantation. together. in the first of our split series we present two modern artists who’s imaginations know no limit. abstract drones, anchient machinery, neon cities within the shadow of the overfiend. heading up side a is the legendary cristoph de babalon, whose work in the late 90s on digital hardcore and his own cfet proved to be some of the most unique and timeless of the period. seperated by european boarders, the reigns are taken by triames, cutting the rhythms to explore techno as a more abstract concept, beautifully detailed work in between lustmord and emptyset. giallo disco is proud to present ‘invocation of the demon twin vol. 1′ possibly the most sinister and atmospheric release to date, and also one of our most special. art by eric lee."

shake the mind encapsulates the sound of clouded vision recordings, with a long awaited single from matt walsh, backed with a remix from daniel avery. alongside the radio edit, the title track is a 7-minute trip of late night acidic techno, with a nod to matts new wave and ebm influences. the double a-sided vinyl is completed with a pounding slice of atmospheric techno and the first new piece of music from daniel avery, since the release of his critically acclaimed album, drone logic last year. dan returns the remix-favour to close friend matt after his version of free floating appeared on the drone logic remix album new energy earlier this year.

the rise of azimute continues, after a their killer debut on crosstown rebels, an appearance on john digweeds live in toronto and much received hype with their new vinyl only label, azimute music. we are the sound ep is a full on journey into the unique sound of azimute. the first track on the ep is taken from the title, it features the vocals of rocky washington who has worked with the likes of snoop dog & jay z. the track has infectious percussion from the start and rolls effortlessly through, azimute s signature sound takes control as rocky s vocals complete the journey, a definite late night anthem for sure. next up is laterra, this true hypnotic and percussive piece is built for the main room and is certain to cause damage. on the flip side of the vinyl we have -under control-, its a stripped out eerie yet beautiful piece of techno which builds and builds, certainly one for berghains main room. finally we have the track entitled -way back-, another late night techno roller, with clever guitar stabs and a clean sound scape layer that draws you in as the record play

another bunch of successful edits on the unstoppable tvpc label. it s fourth sampler (and already a seventh record in label history) covers a wide array of exceptional gems, spanning from balearic pop, through electro disco, to slavic soul and disco funk. all tracks come from the late 70s and early 80s poland and were carefully reworked by some of the finest young producers from the country, keen to pay homage to their musical roots.

nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

nite owl co-founder alex burkat, rising young chicago producers olin (argot, smartbar, discovery) & savile (argot, smartbar, plus a couple of new faces deliver deep house delites for those lovers of greasy late-nite fare.

new to the stay underground it pays gang, the eighth release on the label comes from none other than octo octa! you know him from his prolific run on 100% silk, and more recently for his ep on gerd jansons running back label at the top of the year. the man from brooklyn serves up 4 slices of that u.s. experimental house sound we love so much. on the a side, we have two versions of octo octa’s melancholic title track, requiem for the body. both as good as the other, it’s gonna be split for a lot of listeners on which is better. while both versions share certain elements, the second plays down the long keys of the first versions in favour of some stabby chord patterns. either way, proper 4 a.m. business!on the flip, we get a bit more ethereal with times two (loose version). simple yet effective, this one has a lot of atmosphere with those delayed vocal cuts over that late 80s bassline. closing out the record is when home. this one is a bit of a stomper at first until it brings in the lighter synth elements halfway through. someone, somewhere will have an epiphany listening to this track. if its you reading this, send in the results on the back of a postcard. all in all, another killer release that feels straight at home in the stay underground it pays catalogue

late nite tuff guy is a new breed of disco vigilante, prowling the neon streets on a mission from god / david mancuso to reclaim the clubs and fuck shit up. the scandalous alter-ego of genuine techno legend hmc (known to his momma as cam bianchetti), late nite tuff guy (lntg) puts the acrimony in acronym, the oh in disco, the amp in camp and the dang in dangerous. his shit is controversial, but it doesnt stink.
peddling the most credible of disco edits – sexy and tasteful to a tight white tee – and accruing some serious acclaim from an illustrious roll call of heads in the know (including jeff mills, todd terje, richie hawtin, laurent garnier, ellen alien, steve lawler, carl cox, nic fanciulli, jackmaster, optimo and the don himself – sir greg wilson, who remixed lntgs one nite in a disco), the world is his and its about to blow up... 2015 pressing

ltd 2015 repress , finest neo-detroit house tracks - tip!

brand new excursion into eastern territories curated by zambon of the very polish cut-outs and transatlantyk fame. five obscure disco tracks from late soviet era edited, reworked and remixed into dancefloor bliss by creme de la creme of russian and belarusian producers. among the editors we will find leonid lipelis (known from collaborating with brennan green and his own label thats a steal, here working under the alias beard in dust), moscow based diggers crew shiny boots grodno based edit wunderkind schmoltz, st. petersburgs krjuk and the papers from ekaterinburg. tracks range from balearic pop stomp of alla pugachevas *kafe*, through to the blue-eyed slavic soul of tatiana kochergina, to big band funk full of breaks and even russian disco rap with baby scratches! drink some vodka and taste the disco sound of the soviet union.

kolour ltd #20 comes courtesy of closed paradise. having released on sleazy beats offshoot fools & fables and releases lined up on whiskey disco, vinyl addicted, and of course ours - there s plenty to be excited about in paradise. as an added bonus we ve invited in a duo that we ve been real big fans of as of late for some remix action. fresh off the heels of their blinding ep on dam swindles heist recordings - we are proud to welcome brame & hamo to the family! pressed on black wax.

tough, to the point, no-nonsense machine music is a longstanding midwestern tradition. drawing a line all the way back to the old guard, the bunker new yorks latest ep is walk the distance, courtesy of mark verbos, a techno veteran and new yorker by way of milwaukee who put together four pieces of heavyweight dancefloor artillery, informed by an intimate, inside-out knowledge of the machinery used in the production of these tracks.

nice price deal !!! nice price deal !!! part 3/4! sixth release from the much anticipated imprint involving the founders of stablo alongside matt edwards aka > radio slave<

limited 2015 repress
heavy support from zip and dixon !!! *** vinyl only release ***

over three decades after -rhythm of life-, james mason rediscovered tapes with more recordings from the same late seventies period. the dance of life (ft. bernard purdie on drums and fonda rae on backing vocals) and up jump are the first two tracks taken from the -recollection echo- album that rush hour are very proud to release on vinyl

as the music is research, pisetzky loves to get deep into bass lines of different sound dimension. his style is always powerful and melancholic, moving hearts and minds into multi layered soundscapes. he started producing in 2010 with the name fabiano valli as sound designer for fashion brands. since late 2013 he turned his profile into pisetzky, inspired by a growing milans techno scene, he started to realise his attitude into being active part of the project just - this. he already proved his musical research for the biggest europe festivals stages ( off sonar week, ade, amore, barrakud ), as in the finest clubs and parties. in the darkness of his studio or even on the hottest dancefloors, pisetzky shakes deeply souls and bodies with his dogged rhythms.

joey longo has had a long & varied music career since the 1980s, from regular global dj spots to producing hip hop records for krs one to spearheading the deep nyc house sound that he is most well known for. the raw shit is a classic pal joey ep, featuring a handful of his trademark hip hop & jazz infused tracks, all sample laden & with dope chopped up drums & ultra deep synth pads that occupy that sweet late night spot somewhere between the burrell brothers & maw. released in 1995 & still sought after by music lovers today the ep is the perfect marriage of house music with b-boy sensibilities, raw indeed! remastered, repressed & re-released for 2015 in conjunction with king street records, new york city.

a storming debut e.p from the persian prince, kasra v. a 21 year old from tehran who hit the shores of london four years ago armed with a bag of his uncle s boogie & disco and a taste in music belying his years. a residency at love fever has seen him holding his own with the likes of young marco, jonny rock, dj nature, and a radio show on the prodigious nts has seen him showcasing his tasted amongst the most listened on the station. learning his craft over the last 3 years on his trusty mpc2000, battery of fm keyboards and midi synced drum machines, his debut ep comes with a synth infused sound and a nod to 80s sleazy late night b movies.

the late nite stepper, the strut in the stuff that leaves you wanting more. that goodnight kiss, that early morning mist. mystery producer olmos steps to the plate for his debut 12inch on hot shot sounds, boogie funk vibes paired with modern nods to house stomping og mix backed with remixes from label boss inkswel and faces & mcde maestro pablo valentino

it s fair to say khijda s debut ep on especial was one of the highlights of the label to date. mustafa - in original form and remixed to distraction by timothy j fairplay - became the soundtrack for many a summer party, while abul was perfect for those deeper late night afters. ... played by jonny 5, dj sofa, ali renault, gitchell moore, the legendary 1979 orchestra, dynamicron (los grandes/our nights), jack pattern, lurid music

as spring dawns, rhythm section international go from local artist to a pair of very * local* artists - peckham’s very own chris watson + chris coupe, otherwise known as fyi chris , who present the ‘back in the millennium’ ep as the labels 5th offering. the ep was born after a rather hazy late night listening session at rhythm section hq, where bossman bradley zero was instantly beguiled by the duos hypnotic and rhythmically complex arrangements. the record begins abrasively with the trance-inducing mechanical stutter of back in the millennium , before shuffling into downbeat number * jeru* and then picks things up with the peak time groove of * need i say more* before bringing us back down to earth with the melancholic acid bump of * dedication*. early support from osunlade, mr.g, ryan elliott & damiano von eckhert. ready for club use.

limited edition of 500 copies on white 10 inch vinyl with download code included.

12 inch coloured vinyl (hot pink) hand stamped & numbered sleeve. more vinyl only business from the bristol based just jack camp, this time from firm fave amir alexander under his richie ratchet moniker. 2 original acid cuts designed for late night sleazing, this is timeless dancefloor music that makes you want to take your shirt off. mastered to tape before being cut to wax for that extra bit of juice, this is a limited pressing with only 303 copies and no repress. don t snooze on it! vinyl only!

after dark: nocturne ist ein infiziöses groove-monster, das körper, geist und seele gleichzeitig animiert. bill brewster, der auch als co-autor der dj-historie last night a dj saved my life brillierte, gelingt mit dieser top-selektion eine weitere meisterleistung. einmal aufgelegt, einmal reingehört, lassen einen diese positiven vibes nicht mehr los. groove, funk, disco, pop, house - party-rhythmus non-stop! mit komplett exklusiven und unveröffentlichten tracks & mixes von charli xcx (lindstrom remix), the emperor machine, hugh mane und zweimal hotel motel. und raren perlen von plastic bertrand(!), adriano celentano(!), rudy norman und coalkitchen. after dark: nocturne is ein massives schwarzes loch von einem dj-set, das dich auffrisst und nie wieder entlässt.

run harder vol. 1 is the first installment in the run harder series. a various artists concept that will represent different cities across the globe. the first effort is a trans-atlantic affair. two great american metropoles and two european cities are connected through a slice of black gold.